Monday, December 23, 2013

FINISHED:
Jones, Rob Lloyd. (2013). Wild Boy. Somerville, MA: Candlewick.

[Now a sideshow freak in London in 1841, Wild Boy, so named because he is covered in hair from head to toe, finds himself on the run when he is wrongly accused of the murder of a professor who was working on a mysterious machine.  With only a sideshow acrobat as an ally, the two discover a plot involving a man with a golden globe for an eyeball, a shadow society called the “Gentlemen”, and a device which, Wild Boy is told, “is a very powerful machine, one that changes you.  Imagine a machine that could make you normal, like everyone else.”  Wild Boy is a complex character who, even after an early life of abandonment and brutal abuse, is strong and determined, and it is a Sherlock Holmes-ian gift for reading people that ultimately leads him to triumph. Though seemingly aimed at a younger audience, this is a novel that doesn’t shy away from brutality – Wild Boy is ruthlessly (and sometimes disturbingly) taunted and beaten, both verbally and physically, again and again throughout.  This is a strong, Victorian-set mystery which brings into the mix the early understandings of electricity and its properties and uses, giving the proceedings a hint of Frankenstein-ish gothic darkness.]


STARTED:
Weston, Robert Paul. (2013). The creature department. New York: Razorbill/Penguin.

[.]

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Monday, December 16, 2013


FINISHED:
Ursu, Anne. (2013). The real boy. New York: Walden Pond/HarperCollins.

[.]


STARTED:
Jones, Rob Lloyd. (2013). Wild Boy. Somerville, MA: Candlewick.

[.]


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Saturday, December 7, 2013

FINISHED:
Tartt, Donna. (2013). The goldfinch. New York: Little, Brown.
[This one was a BEAST that took me WAY TOO LONG to get through - amazing, because I tore through her last book, The Little Friend, in just a few days.  "Long, plodding, uneventful" best describes her current novel.  Don't get me wrong, I think that she's an AMAZING writer, but this one just went on and on without much of a point.  A character study with too much minutia.  I'm finding it somewhat hard to believe that people are falling over it THAT MUCH.]


STARTED:
Ursu, Anne. (2013). The real boy. New York: Walden Pond/HarperCollins.

[.]


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