FINISHED:
Larson, Hope. (2017). Goldie Vance: Volume Two. Los Angeles: Boom! Box.
[.]
STARTED:
Westerfeld, Scott. (2017). Spill Zone. New York: First Second/Roaring Brook.
[.]
*
Saturday, December 30, 2017
Labels:
adventure,
amnesia,
conspiracies,
crime,
girl,
graphic novels,
historical,
homosexuality,
multicultural,
mystery,
series
Thursday, December 28, 2017
FINISHED:
Larson, Hope. (2016). Goldie Vance: Volume One. Los Angeles: Boom! Box.
[.]
STARTED:
Larson, Hope. (2017). Goldie Vance: Volume Two. Los Angeles: Boom! Box.
[.]
*
Larson, Hope. (2016). Goldie Vance: Volume One. Los Angeles: Boom! Box.
[.]
STARTED:
Larson, Hope. (2017). Goldie Vance: Volume Two. Los Angeles: Boom! Box.
[.]
*
Labels:
adventure,
conspiracies,
episodic,
feminism,
girl,
graphic novels,
historical,
homosexuality,
multicultural,
mystery,
rescue,
theft
Wednesday, December 27, 2017
FINISHED:
Helget, Nicole. (2017). The End of the Wild. New York: Little, Brown and Company/Hachette Book Group.
[.]
STARTED:
Larson, Hope. (2016). Goldie Vance: Volume One. Los Angeles: Boom! Box.
[.]
*
Helget, Nicole. (2017). The End of the Wild. New York: Little, Brown and Company/Hachette Book Group.
[.]
STARTED:
Larson, Hope. (2016). Goldie Vance: Volume One. Los Angeles: Boom! Box.
[.]
*
Labels:
animals,
competition,
death,
environment,
family,
fracking,
friendship,
girl,
multicultural,
parenting,
science,
siblings,
trees
Thursday, December 21, 2017
FINISHED:
Babbitt, Natalie. (1975). Tuck Everlasting. New York: Square Fish/Farrar Straus Giroux.
[.]
STARTED:
Helget, Nicole. (2017). The End of the Wild. New York: Little, Brown and Company/Hachette Book Group.
[.]
*
Babbitt, Natalie. (1975). Tuck Everlasting. New York: Square Fish/Farrar Straus Giroux.
[.]
STARTED:
Helget, Nicole. (2017). The End of the Wild. New York: Little, Brown and Company/Hachette Book Group.
[.]
*
Labels:
classics,
coming of age,
death,
Eric favorite,
existentialism,
family,
girl,
historical,
magical realism,
murder,
time
Saturday, December 16, 2017
FINISHED:
Kullab, Samya. (2017). Escape from Syria. Buffalo, NY: Firefly.
[.]
STARTED:
Babbitt, Natalie. (1975). Tuck Everlasting. New York: Square Fish/Farrar Straus Giroux.
[Was home sick without a new book... chose this one - one of my all time favorites - to read again for comfort...]
*
Kullab, Samya. (2017). Escape from Syria. Buffalo, NY: Firefly.
[.]
STARTED:
Babbitt, Natalie. (1975). Tuck Everlasting. New York: Square Fish/Farrar Straus Giroux.
[Was home sick without a new book... chose this one - one of my all time favorites - to read again for comfort...]
*
Labels:
death,
family,
fish out of water,
girl,
graphic novels,
historical,
immigrants,
multicultural,
prejudice,
racism,
survival
Friday, December 15, 2017
FINISHED:
Snyder, Laurel. (2017). Orphan Island. New York: Walden Pond/HarperCollins.
[.]
STARTED:
Kullab, Samya. (2017). Escape from Syria. Buffalo, NY: Firefly.
[.]
*
Snyder, Laurel. (2017). Orphan Island. New York: Walden Pond/HarperCollins.
[.]
STARTED:
Kullab, Samya. (2017). Escape from Syria. Buffalo, NY: Firefly.
[.]
*
Labels:
boats,
character study,
coming of age,
communication,
Eric favorite,
girl,
island,
magical realism,
orphan,
parenting,
puberty
Saturday, December 9, 2017
FINISHED:
Reynolds, Jason. (2017). Long Way Down. New York: Atheneum/Simon & Schuster.
[.]
STARTED:
Snyder, Laurel. (2017). Orphan Island. New York: Walden Pond/HarperCollins.
[Newbery buzz.]
*
Reynolds, Jason. (2017). Long Way Down. New York: Atheneum/Simon & Schuster.
[.]
STARTED:
Snyder, Laurel. (2017). Orphan Island. New York: Walden Pond/HarperCollins.
[Newbery buzz.]
*
Labels:
anger,
boy,
brothers,
crime,
death,
family,
magical realism,
multicultural,
murder,
novel in verse,
revenge,
YA
Friday, December 8, 2017
FINISHED:
Williams-Garcia, Rita. (2017). Clayton Byrd Goes Underground. New York: Amistad/HarperCollins.
[.]
STARTED:
Reynolds, Jason. (2017). Long Way Down. New York: Atheneum/Simon & Schuster.
[.]
*
Williams-Garcia, Rita. (2017). Clayton Byrd Goes Underground. New York: Amistad/HarperCollins.
[.]
STARTED:
Reynolds, Jason. (2017). Long Way Down. New York: Atheneum/Simon & Schuster.
[.]
*
Labels:
boy,
crime,
family,
grandparents,
grief,
multicultural,
music,
New York
Tuesday, December 5, 2017
FINISHED:
Ness, Patrick. (2017). Release. New York: HarperCollins.
[.]
STARTED:
Williams-Garcia, Rita. (2017). Clayton Byrd Goes Underground. New York: Amistad/HarperCollins.
[Getting some Newbery buzz...]
*
Ness, Patrick. (2017). Release. New York: HarperCollins.
[.]
STARTED:
Williams-Garcia, Rita. (2017). Clayton Byrd Goes Underground. New York: Amistad/HarperCollins.
[Getting some Newbery buzz...]
*
Labels:
boy,
character study,
communication,
crime,
death,
family,
homophobia,
homosexuality,
magical realism,
moving,
multicultural,
murder,
parents,
religion,
romance,
YA
Saturday, December 2, 2017
FINISHED:
Meloy, Colin. (2017). The Whiz Mob and the Grenadine Kid. New York: Balzer + Bray/HarperCollins.
[In Marseille, France, 1961, Charlie Fisher, the neglected twelve year old son of an American Consul General, falls in with a Lebanese boy named Amir and a crew of other young, multicultural pickpockets. Looking to forge a life of his own, as well as find some friends, Charlie is brought into the fold first by running center field (watching and learning) and then as a duke man (the one that all of the other pickpockets bring their spoils to), all while trying to keep the two diametrically opposed sides of his life from colliding. Meticulously crafted and thoroughly researched, vivid descriptions rife with specific detail bring the streets of the French city to life, and an occasional authorial direct address adds further humor to an already amusing tale. Just when you begin to wonder where it’s all going, a doozy of a bombshell is dropped two thirds of the way through which excitingly lays the groundwork for the final path ahead, while Carson Ellis’s occasional full page illustrations feel period to the ‘60s, often recalling the rounded figures of Peter Max and Daniel Pinkwater. Meloy continually brings up socio-economics as the ragtag band of misfits see themselves as Robin Hoods to a certain degree, with Amir saying, “Way I see it, we’re evening the score a bit, yeah?... To take the rich folks down a peg”, and the Code of the Whiz Mob being that “no one facing financial hardship, marginalization, or oppression of any sort should be targeted.” When Charlie’s hard-honed skills are put to a final test near the end, we get a true, step by step insight into the art of the steal, and luckily, included at the end is an extensive (and quite necessary!) glossary of whiz lingo.]
STARTED:
Ness, Patrick. (2017). Release. New York: HarperCollins.
[.]
*
Meloy, Colin. (2017). The Whiz Mob and the Grenadine Kid. New York: Balzer + Bray/HarperCollins.
[In Marseille, France, 1961, Charlie Fisher, the neglected twelve year old son of an American Consul General, falls in with a Lebanese boy named Amir and a crew of other young, multicultural pickpockets. Looking to forge a life of his own, as well as find some friends, Charlie is brought into the fold first by running center field (watching and learning) and then as a duke man (the one that all of the other pickpockets bring their spoils to), all while trying to keep the two diametrically opposed sides of his life from colliding. Meticulously crafted and thoroughly researched, vivid descriptions rife with specific detail bring the streets of the French city to life, and an occasional authorial direct address adds further humor to an already amusing tale. Just when you begin to wonder where it’s all going, a doozy of a bombshell is dropped two thirds of the way through which excitingly lays the groundwork for the final path ahead, while Carson Ellis’s occasional full page illustrations feel period to the ‘60s, often recalling the rounded figures of Peter Max and Daniel Pinkwater. Meloy continually brings up socio-economics as the ragtag band of misfits see themselves as Robin Hoods to a certain degree, with Amir saying, “Way I see it, we’re evening the score a bit, yeah?... To take the rich folks down a peg”, and the Code of the Whiz Mob being that “no one facing financial hardship, marginalization, or oppression of any sort should be targeted.” When Charlie’s hard-honed skills are put to a final test near the end, we get a true, step by step insight into the art of the steal, and luckily, included at the end is an extensive (and quite necessary!) glossary of whiz lingo.]
STARTED:
Ness, Patrick. (2017). Release. New York: HarperCollins.
[.]
*
Labels:
boy,
crime,
Eric favorite,
ethics,
family,
friendship,
gangs,
historical,
multicultural,
parents,
theft
Subscribe to:
Posts (Atom)