Showing posts with label multicultural. Show all posts
Showing posts with label multicultural. Show all posts

Monday, February 25, 2019

FINISHED:
Medina, Meg. (2018). Merci Suárez Changes Gears. Somerville, MA: Candlewick.

[.]

STARTED:
Johnson, Maureen. (2019). The Vanishing Stair. New York: Katherine Tegen/HarperCollins.

[.]

*

Tuesday, February 12, 2019

Wednesday, August 29, 2018

FINISHED: 
Yang, Kelly. (2018). Front Desk. New York: Arthur A. Levine/Scholastic.

[.]

STARTED:
Funke, Cornelia. (2018). The Griffin's Feather [Dragon Rider #2]. New York: Chicken House/Scholastic.

[Remember LOVING the first one...]

*

Thursday, March 8, 2018

FINISHED:
Rhodes, Jewel Parker. (2018). Ghost Boys. New York: Little, Brown/Hachette.

[.]

STARTED:
Hanlon, Abby. (2018). Dory Fantasmagory: Head in the Clouds. New York: Dial/Penguin Random House.

[LOVE THIS SERIES.]

*

Tuesday, March 6, 2018

FINISHED:
Tamani, Liara. (2017). Calling My Name. New York: Greenwillow/HarperCollins.

[.]

STARTED:
Rhodes, Jewel Parker. (2018). Ghost Boys. New York: Little, Brown/Hachette.

[.]

*

Friday, February 9, 2018

STARTED & FINISHED:
Tanaka, Shelley. (2018). The Breadwinner: a Graphic Novel. Toronto: Groundwood Books. 

[.]

STARTED:
Connor, Leslie. (2018). The Truth As Told by Mason Buttle. New York: Katherine Tegen/HarperCollins.

[.]

*

Wednesday, February 7, 2018

FINISHED:
Moore, David Barclay. (2017). The Stars Beneath Our Feet. New York: Knopf.

[.]

STARTED:
Burkey, Mary. (2013). Audiobooks for Youth: a Practical Guide to Sound Literature. Chicago: ALA Editions.

[Gearing up for the ALSC Notable Children's Recordings committee.]

*

Saturday, December 30, 2017

FINISHED:
Larson, Hope. (2017). Goldie Vance: Volume Two. Los Angeles: Boom! Box.

[.]

STARTED:
Westerfeld, Scott. (2017). Spill Zone. New York: First Second/Roaring Brook.

[.]

*

Thursday, December 28, 2017

FINISHED:

Larson, Hope. (2016). Goldie Vance: Volume One. Los Angeles: Boom! Box.

[.]

STARTED:
Larson, Hope. (2017). Goldie Vance: Volume Two. Los Angeles: Boom! Box.

[.]

*

Wednesday, December 27, 2017

Saturday, December 16, 2017

FINISHED:
Kullab, Samya. (2017). Escape from Syria. Buffalo, NY: Firefly.

[.]

STARTED:
Babbitt, Natalie. (1975). Tuck Everlasting. New York: Square Fish/Farrar Straus Giroux.

[Was home sick without a new book... chose this one - one of my all time favorites - to read again for comfort...]

*

Saturday, December 9, 2017

FINISHED: 
Reynolds, Jason. (2017). Long Way Down. New York: Atheneum/Simon & Schuster.

[.]

STARTED:
Snyder, Laurel. (2017). Orphan Island. New York: Walden Pond/HarperCollins.

[Newbery buzz.]

*

Friday, December 8, 2017

FINISHED:
Williams-Garcia, Rita. (2017). Clayton Byrd Goes Underground. New York: Amistad/HarperCollins.

[.]

STARTED:
Reynolds, Jason. (2017). Long Way Down. New York: Atheneum/Simon & Schuster.

[.]

*

Tuesday, December 5, 2017

FINISHED: 
Ness, Patrick. (2017). Release. New York: HarperCollins.

[.] 

STARTED:
Williams-Garcia, Rita. (2017). Clayton Byrd Goes Underground. New York: Amistad/HarperCollins.

[Getting some Newbery buzz...]

*

Saturday, December 2, 2017

FINISHED:
Meloy, Colin. (2017). The Whiz Mob and the Grenadine Kid. New York: Balzer + Bray/HarperCollins.

[In Marseille, France, 1961, Charlie Fisher, the neglected twelve year old son of an American Consul General, falls in with a Lebanese boy named Amir and a crew of other young, multicultural pickpockets.  Looking to forge a life of his own, as well as find some friends, Charlie is brought into the fold first by running center field (watching and learning) and then as a duke man (the one that all of the other pickpockets bring their spoils to), all while trying to keep the two diametrically opposed sides of his life from colliding.  Meticulously crafted and thoroughly researched, vivid descriptions rife with specific detail bring the streets of the French city to life, and an occasional authorial direct address adds further humor to an already amusing tale.  Just when you begin to wonder where it’s all going, a doozy of a bombshell is dropped two thirds of the way through which excitingly lays the groundwork for the final path ahead, while Carson Ellis’s occasional full page illustrations feel period to the ‘60s, often recalling the rounded figures of Peter Max and Daniel Pinkwater.  Meloy continually brings up socio-economics as the ragtag band of misfits see themselves as Robin Hoods to a certain degree, with Amir saying, “Way I see it, we’re evening the score a bit, yeah?... To take the rich folks down a peg”, and the Code of the Whiz Mob being that “no one facing financial hardship, marginalization, or oppression of any sort should be targeted.”  When Charlie’s hard-honed skills are put to a final test near the end, we get a true, step by step insight into the art of the steal, and luckily, included at the end is an extensive (and quite necessary!) glossary of whiz lingo.]

STARTED:
Ness, Patrick. (2017). Release. New York: HarperCollins.

[.]

*